G dominant seventh (flat ninth) chord: …over G on the bass: So, here’s the G dominant seventh (flat ninth) chord: The dominant seventh (flat ninth) chord can be applied a half-step above any given major or minor chord. The dominant seventh chord flat ninth chord is one passing chord you can learn and readily apply. Basics of Chromatic Passing Chords on the Guitar, Getting to Know the Notes on a Guitar Fretboard, Guitar Theory: Roman Numerals and the Major Scale Chord Sequence. A diatonic passing chord may be inserted into a pre-existing progression that moves by a major or minor third in order to create more movement." Chord I, C major consists of the notes, C – E – G, while C major seventh consists of the notes, C – E – G – B.; Chord ii, D minor consists of the notes, D – F – A. For example, if a chord progression in the key of C major: Here is an example of chromatic passing chords in the key of G. This progression uses all major chords with chromatic passing chords between G-A and A-B. So, here’s the E dominant seventh (flat ninth) chord: A passing chord is simply a chromatic chord that is used to connect two chords. G# dominant seventh (flat ninth) chord: Passing Chords are the single most powerful tool for modern Gospel pianists, and YOU can achieve that sound as well. …the D minor ninth chord (which is chord 2): For example, the C dominant seventh (flat ninth) chord: In the key of C major: …the B  dominant seventh (flat ninth) chord (which is the passing chord) consists of notes that are foreign to the key of C major: D# and F#. If I understand dominant chords correctly, then the B7 consists of these notes: For example, if a chord progression in the key of C major: …should progress from chord 1 (the C major seventh chord): …to chord 3 (the E major seventh chord): Both chords can be connected by a passing chord: …which is the B dominant seventh (flat ninth) chord. …resolves to the D major ninth chord: Using the passing chord learned in this lesson, you can resolve to any scale-degree chord a half-step below (be it a major or a minor chord). The chords in C will root on the notes along the C major scale, since all chords in a major key are formed by notes from their respective diatonic scale. So, the Eb dominant seventh (flat ninth) chord: Yes, that’s correct. All I need is your undivided attention. In this course, I have identified the seven most used passing chords in Gospel music, and I teach it all in the key of C. B dominant seventh (flat ninth) chord: There are so many ways to approach the formation of the dominant seventh (flat ninth) chord. The progression starts with a G major chord and moves downward by semitones to Em through Fs and F. While the G chord belongs to E minor, Fs and F are simply serving as passing chords as the progression moves to Em. The following two tabs change content below. …which is the G# diminished seventh chord: “Check It Out…” Example #1 – Thank You Lord (without th… Here, the key is E minor. In this course, I have identified the seven most used passing chords in Gospel music, and I teach it all in the key of C. You also hear chromatic chord movement from I up to a major III chord and from IV down to a major II chord. Ask Dr. Pokey: “What Is The Main Purpose Of Chord Inversions?” (Part 1). In the next ten minutes or so, I’ll be taking you by the hand and showing you a passing chord that you can works 100% of the time. 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